The Sand Hill Review          http://www.sandhillreview.org                    2005

 

Butoh Figures, Manhattan

 

 

                                        ankoku Butoh: darkness dance,

                                        the naked body on the edge of crisis,

                                        a dead body standing with desperate effort,

                                        always the circle of life and death,

                                        the something unknown beyond.

 

 

These whitened figures that have emerged from the twilit

fog of pulverized concrete, who walk purposefully

or aimlessly out from the center—it is not

the right name to give them. Yet my eye thinks of it,

recalling what’s been seen in other photographs

of the new danse macabre: those lean-limbed, chalky,

   wraith-like

bodies articulating unspeakable visions,

which serve now in memory as mute premonition.

But is it only the dust clothing the entirety

of each of them, revealing every privacy,

that has led me to this error, that sees in them

naked Butoh forms, harrowing as the first ones?

Only the white shawls of ash, the blood ribboned ash,

only this sudden shiver, a false recognition?

 

David Cummings