The Sand Hill Review               http://www.sandhillreview.org              2009

 

 

 

 

 Happy Medusa and Reclining Sappho—In a side gallery of the Metropolitan Museum

 

It was like waking in an Olga Broumas poem

Colored girl surrounded by Greek marble

and repressed desires.  Or a

surprise—tumbling into

your two muses

at a cocktail party.

You’d hardly

expect to recognize anyone you know.

Each guest is so big and famous

they look different close up

and out of context of book or picture

 

I was angry at the warrior

holding her huge head aloft

As if the simple dismemberment

was triumph.

How boy

not to notice that she’d

turned him to stone.

 

Eyes closed, Medusa looked at me

a subtle undulation of the snakes

around that head and

the soft turn of her mouth

pointed me toward the other.

The two here together—however captured—

Unbowed, unrepentant

There, Sappho supine

Hardness made soft like the Buddha

by the craft of draping stone,

by the gaze—serene, searching.

Her feet outstretch from beneath

her garments.  One is the size of

my arm.  Not the diminutive or dainty

thing biographers hawk.

And that bigness comforts me.

 

One’s muse should be supersize

to channel our fancies

and stay in our sight.

 

Sappho lay back

a short distance from Medusa

but always in relationship,

the line of communication a laser

between them.

 

Sappho like a warrior

firm and shapely

one hand on her breast

knowing Medusa

always watched.

 

Jewelle Gomez