The Sand Hill Review http://www.sandhillreview.org 2011
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The
Possibility of Blessing, after Divorce (Sera
Monastery, Lhasa) On a plate,
roasted barley, plastic bag of yak butter,
marigolds, coins, rice. In the center
stands an ear of corn. I open my purse, add a
few bills to the paper money. A monk twists
cotton wicks. Warm smell of liquid
butter, light of burning lamps. Over stained
walls, the black residue. In last night’s
dream, these words appeared on my arm: Evening,
bell, horse. Then you spoke,
My message is written in a code
that will be hard to decipher. Still asleep, I
thought, Wait a minute, what the
fuck are you doing here? Now, the
chanting voices. We crouch through a low doorway,
emerge, in semidarkness, by a huge foot,
stare up at his robed body, shining golden
face. Maitreya, Buddha of the future
whose far-off eyes regard us all with love. We
kneel, one by one, press our brows to the same
patch of cushion. The deep indentation all our
foreheads have made, the dark smudge in white silk. Why do I still
dream of you? In fall and
winter, you were the cause of every sorrow
as I walked through wet leaves. I thought I was
done with remembering. Your step on
the porch, click of your key, or I'd get
there first and open the door. I don’t want to
do it over. This isn’t that
kind of regret. A monk paints
names in gold down narrow
lengths of red ribbon. I pay, ask him
to paint Michael. The spelling
takes us on steep paths. When he holds
the finished ribbon over a burning
lamp, a thin curl of smoke rises.
Letter by letter, as if sending you
this, I watch your name slowly
disappear. Catherine
Freeling |
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